By Drew Dietsch | publishing
Doug Liman Booth. I wrote why this is the worst time to announce the movie version BoothIn that article, I came up with an excitement for a movie version The girl who loves Tom Gordon.
The more I sit on it, the more passionate I get for Liman Booth Existing instead of The girl who loves Tom Gordon.
Why I love The girl who loves Tom Gordon
King’s novel is a survival story about a puberty girl who gets lost in the woods on a family trip. Until the particular Stephen King Horror goes into a hybrid state, it seems like a fairly simple wilderness story.
I don’t want to give away all the goods to anyone who has never read this book before, but the supernatural creature our heroine ends up facing may be the figure of her young imagination. It is these primitive but personal representations of good and evil that incorporate the best in King’s writing. They can also study the protagonists of the novel more clearly.
Although Kim is known for being a horror master, one of his greatest strengths has always been creating a rich interior world for his characters. The girl who loves Tom Gordon Allow him to provide a suitable canvas for this, which can make the eye-catching translation on the screen.
We almost got the movie
The girl who loves Tom Gordon Already on film-adapted slate. Horror idol and Stephen King’s friend/collaborator George A. Romero was working on a movie before his death. The most exciting announcement was in 2020 Lynne Ramsey’s direct attachment.
Sadly, since then, no other progress seems to have appeared, so I guess the potential version has died in the water. Nevertheless, this talent to participate in adaptive attempts demonstrates the value of the original material and the artistic potential of the cinematic version.
The little girl lost the end of the world
This is where we returned Booth. If you haven’t read other works I linked in the first paragraph, please put it in the record I like Booth. This is an amazing book and can easily become one of the important works of the King’s reference books. I really like the 90s mini series, but I can’t even finish other mini series that everyone has forgotten.
That said, I won’t feel it directly from another work – Quick Summary: Makes Stephen King’s adaptation not yet (or is well adapted) – but I want to argue for that kind of story The girl who loves Tom Gordon It’s saying Booth.
In pop culture, we are overwhelmed by the epic of the apocalypse. Sweet zombie Jesus, they’re still doing more Walking zombies show. I love the story of the apocalypse, but unless there is something fundamentally new to bring to the formula, they start to feel a role in the larger landscape of movies and TV. I can’t see Doug Liman’s Booth Propose a strong enough creative argument for the existing existence in this landscape.
Instead, in the face of natural (and supernatural) dangers, the resilience of a child is a story that is more valuable to adapting to the largest stage possible. It’s a story, with a character fighting them through nightmares, rather than fighting them Booth.
Movies and miniseries
if Booth Will be adapted again, and the movie doesn’t seem to be the best medium for that story. It’s too big to boil down to one feature film or even two, but it looks like a game plan. However The girl who loves Tom Gordon It shouldn’t be a mini series. It’s right to be a single movie experience.
I hope a great movie will be The girl who loves Tom Gordon In my life. I hope it will be from Booth. But in that new movie? Tighten.
