George Miller in 2015 Mad Max: Angry Road Imagine the revelations of future fascism, patriarchy, environmental collapse and bad-butt gothic road wars, in classic rock riffs. Ten years have passed, and it is a distant future – cool vehicles, replacing classic rocks with rural people – which looks like it arrives in time and grabs us with a bag of blood.
The evil speed of the Miller War dystopian war rig we encountered was frustrating to say the least. But driving with him is close, and it also means he sees the road ahead more meaningful and even more like hope than when it was first released. The road of anger Provides very specific ideas of how, who and where to fight – those (as War Boys said) we will be well witnessed.
Like other crazy Max movies (although not much reference), The road of anger Set in an uncertain future for ecological collapse. The semi-released loner Max (Tom Hardy) is captured by Immortan Joe's War Boy (Hugh Keays-Byrne). Shortly after Max's kidnapping, Joe's warship driver Furiosa (Charlize Theron), began the supply run. Joe didn't know, though, that Furiosa stole his enslaved “wife” or “breeders” in hopes of escaping with them to the green place she knew when she was young. Joe sent his troops to hunt down, including a sick war boy who used Max as a forced blood donor. For the next two hours, the screen was filled with crazy chases – explosions, intense damage and an incredibly loud soundtrack.
Part of the reason The road of anger Of course, it feels very relevant because when the film is being made, the seeds of our current shifting crisis are already emitting twisted limbs. For decades, a dry, hotter, toxic world can be seen on the horizon.
The evil Immortan Joe now reads like a Trump analog, even if he is healthier, more capable, and stands out in a Villard-style headdress that shames Trump's hair plug. But these orange echoes are not magical precedents. They simply show that the religious fascism of the right has condensed before our current nightmare appears.
Joe's roar insisted that his “wife” was his – crucially, that their unborn child was his, a clear illustration of how patriarchal control over women's bodies included sexual and reproductive coercion. The zealous war boys are also an equally outspoken description of how men are controlled and exploited by the same patriarchal system that women are controlled and exploited. One gender is a breeding plant and the other is a cannon feed.
https://www.youtube.com/watch?v=hejnmqg9ev8
The control system works partly through force; Joe has many guns and is willing to shoot those who are in the way of him. But Joe monopolized guns on guns because he had a monopoly on resources. Except for what he pulled from the underground well intermittently, assigned it to his desperate subject with drips and single lines, there was no water.
At that time, Joe's empire was based on compulsory and artificial scarcity. Which mirror and explain – the current government's obsession with almost every restriction effort, from Cancer Research arrive Food Aid arrive Global vaccine assistance. Denied that people’s life-giving help makes them desperate and easier to control. You can further twist the knife by blaming it on the essentials that require you to hoard it. “My friends don't indulge in water. It will catch you, you will be dissatisfied with it!” Joe Tauntingly told him about the troubled, starving person. You can hear Jr.–who has spent years trying Disgrace Vaccines – Use the same tone explain If you just feed your kids, they won't die of measles.
Joe's control over resources, guns and war boys' biological powers made him seem invincible and invincible – because there seems to be no real way out in a real fascist nightmare. Max warns Furiosa late in the film that hope is a trap that will drive you crazy. A blind struggle for survival at any price is the only viable path. One of Joe's wife, Courtney Eaton, translates it into a more direct argument for cooperation and loyalty in moments of despair. “We are his treasure! We are protected and he gives us a noble life! What's wrong?” she shouted as she ran backwards to the slave's arms.
This is obviously not the last sentence of the movie. Instead, Miller did argue in the shootings and explosions of killings that hope was not far away green space, but in solidarity and unlikely alliances. Furiosa risked her life and her own escape to bring Glacier and other wives to her. In turn, Joe's (very pregnant) favorite, when Joe (Rosie Huntington-Whiteley) is when Joe is about to destroy it, his own body shields the battleship. Feminist sisterhood led by women is essential to resistance.
Resistance also includes people who seem cold or actively hostile at the beginning. Max and Furiosa start with opponents, but manage to find a common stance in Joe’s hatred of fascism. The group even picked out a disillusioned war boy, Nux (Nicolas Holt), partly because he fell in love with ability (Riley Kiel), partly because he realized that Joe’s promise was hollow. After January 7, Liz Cheney is not exactly finding her soul, but there are similarities.
Perhaps the most painful and important insight in the film, though, is its vision for where resistance must occur. Initially, Furiosa planned to escape Joe by running. These things are not a bad plan. But in a world of ecological collapse, facing an opponent with resources and chasing your opponent to the greatest extent, it turns out that there are few valuable places to escape. The green place of Furiosa youth turned into dust and dirt. She hopes that the rejoined mother will be reduced to a few fierce but older women, and amass a pile of seeds.
Max suggests another option – return to Joe's power location and fight with him on behalf of the enslaved people. The final half hour of the film shows Furiosa, Max and his allies recovering their path, rushing back to the beast's belly, making a stand for their home at home.
It's a difficult and expensive approach, but it's also what the movie suggests, and it's the only one. You have to defeat fascism, otherwise it will follow you and release yourself, you have to release everyone. We only have one planet, only one person, and only one road. Ten years ago, Max and Furiosa warned us that we cannot leave any of them in the hands of Immortan Joe.
