Up to 2 lowest reviews: Spike Lee and Denzel Washington Don’t miss it
By Drew Dietsch | publishing
Minimum 2 lowest It proves the basic idea of ”making movies is not good!” It’s a stupid, unwise and undeniable opinion in the film discussion. Here, we have no other film producers (Spike Lee says in the closing ceremony) Akira Kurosawa’s 1963 kidnapping thrills journey High and low. Kurosawa’s film is an unshakable classic that is full of cinematic culture. How could Spike Lee be tempted to boldly recreate such a movie?
Because that’s Lee as a film producer: bold, bold in your face, always guarantee your creativity. That’s why he is one of our greatest living mobiles. When you see the Spike Lee joint, you can hear him in the pulse and beats of the cinema. Therefore, it is no surprise that Lee participates in the seasonings of Japanese merchants. High and low And turn it into Minimum 2 lowesta story about the music industry and cultural trends.
Another teller enriches the same story
Minimum 2 lowest Snatch the basic structure of the Blacksawa movie; a powerful businessman (Denzel Washington) as music tycoon David King) is about to buy ownership of the company when he kidnapped his son. He was ready to use that purchase to get his son back until it was revealed that the kidnapper had caught the wrong boy. These details are becoming increasingly important in Lee’s version: the abducted boy is the son of King’s childhood friend and employee Paul (Jeffrey Wright), who also happens to be a former criminal. There was a time between them that got blurred, but eventually all of this found the kidnapper in the chase and achieved some justice.
Spike Lee and writer Alan Fox can both take it away from Kurosawa’s film and Ed McBain source novels The King’s ransomwhile adding a new perspective and perspective to the story. David King’s feelings about the music industry are an interesting character, and Lee was able to use this perspective to study aspects of the art world that was obviously important to him. Just heard David King refute AI music and tell you Minimum 2 lowest Not just playing performative cans here.
About art rather than classroom morality
One thing I can see Minimum 2 lowest About its remake status is the difference in moral tests between the two films. Kurosawa’s film introduces the class directly, and the final moment (complexed by Spike Lee in two perfect scenes) is a stark and vicious attack on the class system. Meanwhile, Lee’s film touches on this aspect, but ultimately doesn’t want to face it directly. Instead, the ending moment becomes an examination of the two artists and their views on the creators.
Minimum 2 lowest It is too honorable to show the right sympathy of the opponent, and the final moments with the kidnapper have a purposeful judgment of him than Kurosawa’s film wants to portray. This is not necessarily a failure, but a change that the story wants.
still, Minimum 2 lowest It was worthwhile improvisation in a tried and tested story that reminded me why I’ve always been interested in anything about Lee. Pairing him with Denzel Washington always catches my attention, and this is another collaboration with them that you should take the time to watch.
